Category Archives: Comedy

REVIEW: “A WALK IN THE WOODS” (2015) Broad Green Pictures

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A Walk in the Woods is essentially a two-hander piece between Robert Redford’s Bill Bryson, a travelling writer who teams up with his old companion Stephen Katz (Nick Nolte) for a hike along the 2,000 mile-plus Appalachian Trail.
Bryson is a sarcastically funny cynic who has his life in a certain order that has become mundane for him, whereas Katz is a grumpy recovering alcoholic who still tries to re-live and remain in his more youthful days. Their contrasts can appear a tad caricature like, but their acting ability, charm, and on-screen chemistry binds the film together well.
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Its a nice witty, little jaunt of a film and while some could be of the opinion that Redford might have wanted to make a bit of an environmental statement here (I disagree), Nolte keeps us entertained all through till the end. Seeing Emma Thompson is always a delight as Redford’s wife Catherine Bryson, but it’s truly Kristen Schaal as Mary Ellen, the annoying, obnoxious fellow traveler whom talks endlessly and knows all, that brings the most to her small, albeit scene stealing role.

DF-03247_R (l to r) Nick Nolte stars as Stephen Katz, Kristen Schaal as Mary Ellen and Robert Redford as Bill Bryson camping along the Appalachian Trail in Broad Green Pictures upcoming release, A WALK IN THE WOODS. Credit:Frank Masi, SMPSP/ Broad Green Pictures
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(l to r) Nick Nolte stars as Stephen Katz, Kristen Schaal as Mary Ellen and Robert Redford as Bill Bryson camping along the Appalachian Trail in Broad Green Pictures upcoming release, A WALK IN THE WOODS.
Credit:Frank Masi, SMPSP/ Broad Green Pictures

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As you might expect, yes there are a few lullsy moments throughout the film but A Walk in the Woods is no Wild nor does it try to be.. it’s more ‘The Odd Couple’ on a roadtrip – buddy type film with Redford as Felix and Nolte as Oscar.
It’s a safe bet that will appeal to a older audience, though they might be a bit surprised with some of the language by these two wonderful actors and while very sweet..I would definitely put it in the category of “sweet & nice” which is a perfectly okay way to spend a few hours!!

Grade: C
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Screening: Landmark Theater Westside – Wednesday, August 26, 2015 – Courtesy of Broad Green Pictures & LAFTV meetup group
Nationwide release: Wednesday, September 2, 2015

REVIEW: “MAN FROM U.N.C.L.E.” (2015) Warner Bros. Pictures

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Director Guy Ritchie starts off with a wonderful, very highly stylized car chase. From that moment on I pinned my hopes that the whole film would be just as good as this sequence. It ends up turning into rather a bumpy ride between plot highs..and plot lows..making it an overall fun, but uneven film.
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Henry Cavill as ‘Napoleon Solo’ and Armie Hammer as ‘Illya Kuryakin‘ are the dymanic spy duo coming from differing enemy camps – Solo being from the CIA and Kuryakin respectively, the KGB, who must work together along with help from German/car whiz girl mechanic/possible double agent (maybe even triple we’re not sure) ‘Gaby Teller’ (Alicia Vikander) to battle the forces of mysterious and evil criminal organization – The Vinciguerra Empire – a rogue Italian group of ex-Nazi loyalists ran by “Victoria Vinciguerra” (Elizabeth Delbecki) & her husband “Alexander” (Luca Calvani). The goal is to uncover the plot to stop them from obtaining and detonating a nuclear bomb.
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Following a fairly standard formula for spy plots that involves good guys vs. bad guys to save the world, here Ritchie throws intrigue to the back burner and instead ramps up the charm and personality of his characters. Each one has their own unique set of traits which set them apart, yet it also brings them perfectly together to create the type of “spy team” with palpable chemistry that works all the way around and delivers to us a most entertaining ride.
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Add in the always witty and charming delivery of Hugh Grant, Jared Harris and Misha Kuznetsov in their respective roles as head of differing agencies and you can’t beat the overall fun that they dish out. 1DE8C234
As with any film of this genre, my motto of ‘your only as good as your villains’ once again applies as I did find those being the only characters the lacking the charm and chemistry of their counterparts, though still stylish, just missing what is truly needed to a baddie, the ability to still like them even though they are the villains.

Ending with the perfect setup for a sequel, I do hope the wonderful stylization remains as do the characters, though with a bit better plot and new villains as it could prove that a sequel might even turn out to be better than an original.

Grade: C
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Screening: Arclight Hollywood – Wednesday, August 12, 2015 – Courtesy of Warner Bros. Pictures
Opens Nationwide: Friday, August 14, 2015

REVIEW: “SAMBA” (2015) Q & A w/ Omar Sy – Broad Green Pictures

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As “Samba” – a Senegalese immigrant who has been illegally living in France for 10 years, is the wonderful French actor Omar Sy. For those of you unfamiliar with him, Sy had gotten his start as part of the French comedy duo of Omar & Fred and went on to films with his most prominent being “The Untouchables” for which he won the César Award – touted as the French Oscar – for Best Actor in 2011. In “Samba” he is on form here though possibly a bit more subdued and subtle, a likable guy who just wants to stay in the country (France) as he’s been employed and living with his “L’oncle (Uncle) Lamouna” (Youngar Fall) all that time.
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He strikes up a friendship with “Alice” (Charlotte Gainsbourg) a shy charity worker who is more or less volunteering at the immigration center and has some problems of her own which are quite hilariously explained during the film. She tries to help Samba with all his legal paperwork but he is still forced to adopt different names and work in different jobs under the radar of the authorities.
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This film is by all means not done as a documentary or political statement. The picture it paints of the French immigration system isn’t too bleak or depressing with some of the other co-workers there offering some of the best comedic outtakes of the film. The characters all have an agreeable warmth to them and as we watch the story patiently play out, you can’t help but feel more charmed by their dilemmas rather than disturbed. Gainsbourg is lovely as the depressed executive who slowly opens up to Samba’s easygoing nature, while Sy invests the character with just the right amount of persuasive nonchalance. Both performers are amusingly supported by Izia Higelin as “Manu” Alice’s colleague and Tahar Rahim as “Wilson aka Walid” Samba’s co-worker and our favourite Arab/Brazilian – who steals a high-rise window-washing, Coca-Cola strip off scene like no other!!!
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With Sy being reunited here with the team of Oliver Nakache and Eric Toledano from the 2011’s highly acclaimed The Untouchables who make an unappealing subject engaging and worthwhile that is what makes this completely worth the price of a ticket. One of the better films I’ve seen so far in 2015. Go out and support this film!!

Post Q & A with Omar Sy:
Sy charmingly engaged the audience entertaining us in both French and English – which he wants to learn better and gave far more than most do in these. Sy noted that even though he’s now been in a few big “Hollywood” films such as Jurassic World & X-Men Days of Future Past, he was attracted to the screenplay of this film and loved the way the story was told it being an interesting topic at this time not only in France but everywhere. With his family being from Senegal-though born in Paris himself-he met with a lot of immigrants in France who helped him shape his character here.
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Also something new to me at least is that Omar came from comedy background – talking about the excitement of dramatic challenges in addition to comedy.
Re: the challenges of learning English and working here vs France, he is still learning – he advises work hard and never get discouraged. On what he would like people to take away from seeing this film?
“It’s always difficult to say what people have to think, what people have to learn or what people have to see. The goal for us is to take a different look on these people. And if someone’s view is different after the movie, it’s a success.”

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Grade: B
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Screening Wednesday, July 22, 2015 courtesy of LAFTV & Broad Green Pictures. Q & A: Friday, July 24, 2015 at Landmark Theaters, Westside
In limited release in theaters now.

REVIEW: “TRAINWRECK” (2015) Universal Pictures

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And your comedy-date movie for the summer is…(drum roll please) “Trainwreck”!!

Written by and starring this year’s comedic ‘it-girl’ Amy Schumer as “Amy” it chronicles the misadventures of its leading character as she runs through boyfriends, numerous sexual encounters acting all the while as a chronically commitment-challenged career woman, is some serious comedic gold. When her boss “Dianna” (an unrecognizable and hilarious Tilda Swinton) assigns her a story to feature a young sports surgeon “Aaron” (Bill Hader) something happens to Amy she didn’t know was possible…she falls in love.
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The film romantic-comedy side solely rests on the perfectly imperfect character of Amy who I think we can all relate to – as either being it at some point in our own lives or in someone we know. I mean let’s be truthful here … who of us ladies hasn’t walked into a room inappropriately dressed or sat at a baby shower giving a big eyeroll at the “my life is perfect” banalities and so wanting to shut it down. Amy is that girl, the friend we love to have around because she isn’t afraid to do or say what we wish we had the guts to do or say…though she pretty much goes overboard every time and that goes double here and yes, that’s why we love her.
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Schumer is a force here, knocking every gag out of the park but also displaying some quite impressive dramatic skills that one doesn’t expect from a stand-up comedian. Bill Hader is finally given and masters the lead role he deserves perfectly. He is lovable, relatable in every way and is the perfect match for Amy on the big screen. Their chemistry here is undeniable.
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The supporting cast of the film is absolutely solid. Brie Larson is wonderful as “Kim” – Amy’s sister, Colin Quinn is “Gordon” Amy & Kim’s dad, Mike Birbiglia is “Tom” Kim’s husband, and the little scene-stealer child Evan Brinkman as “Allister” rounds off the family. Vanessa Bayer’s “Nikki” is Amy’s co-worker and just as on SNL, she holds her own here.
But perhaps the biggest surprise of the film is are the 2 big name athletes of the film in LeBron James trainwreck 2playing himself and John Cena as “Steven” one of Amy’s flings that you just can’t help but love while grabbing a scene your eyes won’t soon forget. And while I don’t know or follow basketball much (just like Amy in the film I might add) I do know who LeBron is and as it turns out the basketball superstar’s comedic timing is might just be as impressive as his game. The plethora of SNL cast, athlete and musician cameos were a welcome bonus to the movie. trainwreck 4

By now we know that with a Judd Apatow films you’ll get a nice blend of raunchy humor and heart. It is a tried and true formula – and it works again here but with something different and that’s Amy Schumer. Sure there might be a few uneven moments..but the duo here help create one of the funniest romantic comedies I have seen in a long time with one of the most fun finale scenes I’ve had the pleasure of seeing all year long. Most of all – I think we can all say a big HELLO to Amy Schumer – “Moviestar” when this hits theaters..
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This film is fantastically fun, full of laughs, new one-liners for you to memorize and a sweet story to prove that yes, my friends, there is someone for everyone in this world.

Grade: B
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Screening at Arclight Hollywood – Thursday, July 9, 2015 courtesy of Universal Pictures
Nationwide release: Friday, July 17, 2015

REVIEW: “MINIONS” (2015) Universal Pictures

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Everyone!! Meet Kevin, Stuart and Bob, our adorable minions who decide to leave the home they have set up as all the minions are getting depressed (in some of the movies funniest ‘depressing’ scenes) to go and find an evil master to serve. This takes them on journeys far and wide until they eventually find a master who they think is evil enough in “Scarlett Overkill” (v/o Sandra Bullock) who along with her husband “Herb Overkill” (v/o Jon Hamm) is shall we say, just a bit obsessed on obtaining the royal crown and being Queen of England. Needless to say, without even trying the minions manage to annoy and disappoint her just by the sheer dumb luck of what is happening to them.
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Before we even meet Ms. Overkill though, the film takes us on an adventure to see how the minions have spent their years trying to find an evil master to serve. This creates some of the best and most amusing moments of the film showing what the minions have been doing during some historic time periods.
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While it lagged some in the middle of the film, it picked itself back up with the parts in England and inclusion of Queen Elizabeth being fun along with the British stereotypes, made for some humourous moments. I think the best thing to say about this film is that I surrounded by loads of kids and shockingly enough they were quiet in the best way possible throughout the film – by that I mean they all seemed to love it and be very entertained by it.. laughing at different parts show that it was well catered to them though I’m not sure how parents are explaining the prequel part to them, it might not be all that necessary.
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For me, the soundtrack used in the film is a must mention with some absolutely fantastic songs from start to finish. Though I’m guessing only the adults will catch on to some of the references made such as running into The Beatles in the now famous Abbey Road album cover.

All in all, this movie will be a summer-time box office smash and a must see for anyone with young children.

Rating: C+
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Screening at Mann’s Chinese Hollywood – Monday, July 6,2015 courtesy of Universal Pictures.
Nationwide release: Friday, July 10, 2015

Added bonus shot: ME with the Minions!!! 😀
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REVIEW: “MAGIC MIKE XXL” (2015) Warner Bros.

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Well it’s been three years since “Magic Mike” (Channing Tatum) retired from his life as a male stripper, now running his own struggling custom furniture business and he decides to reunite with what’s left of his old team with plans of bowing out once and for all after a final performance at a big 4th of July weekend stripper convention in Myrtle Beach, FL.

What happens along the way is what truly makes this a much better film than the first one with one or two exceptions – one of them being no Matthew McConaughey as emcee extraordinaire “Dallas” this time round and as expected Jada Pinkett Smith as “Rome” cannot even come close to filling his shoes. (If you watch Gotham at all, it’s almost the exact same character portrayal here). Two, no Alex Pettyfer and it’s perfectly fine as you don’t miss him in the slightest.
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Magic Mike XXL is in essence, a comedic guys road-trip movie with a lot of dancing, a couple hits of ecstasy & lucky for us, there is at least one stripping scene per stop ensuring us all a good time on the road with these boys. At points its hard to care that they throw caution to the wind and just pause the plot entirely when so much effort was put into making each stop outrageous, hilarious and insanely sexy. If your only reason for coming to watch just to see hot, sculpted men, you will not be disappointed either.
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The film wastes no time reuniting what’s left of Mike’s old male stripper team. Matt Bomer plays “Ken” – the charming pretty boy of the team – who shows off some of his strong Broadway vocal ability here in a version of “Heaven” that slays everyone. Kevin Nash is back as “Tarzan” the big guy who can’t dance but loves to paint. Adam Rodriguez is “Tito” who along with Gabriel Iglesias’s “Tobias” is unsure of his future prospects. The stand out of these guys might just be Joe Manganiello as “Big Dick Richie” who on top of being built like a god, is the most unexpectedly funny member of the team with a convenience store challenge to die laughing for and sure to be new tag-line of the year “How much for the cheetos & water” scene you can’t help but love. Leading the supporting cast is Amber Heard as “Zoe” who at first simply appears to be Mike’s love interest though in the end she is revealed to be much more than that in being a central part of the finale in an very unexpected way. Add in Stephan ‘Twitch’ Boss as “Malik” doing some absolutely amazing dancing routines and Donald Glover “Andre” singing like no other and you just can’t help but smile and enjoy yourself.
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Once the road trip gets going, the film spends most of its time just observing the guys hanging out as they travel from place to place running into obstacles along the way, but always finding time to dance and/or take their clothes off. The guys are all charming and with a somewhat low-stakes plot, XXL’s laid back ideals are perfect for a movie that is really contingent on the audiences likability of the cast and that we are able to engage with their characters. The film provides us endless opportunities to do just that as like them we do and not just as sexually alluring beefcake.
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In the end, this movie is just fun. That is just about it. Well…except I would be totally remiss to not mention one little last tidbit in calling out the spectacular cameo strip off that Michael Strahan gives as “Augustus” – it’s almost beyond words it’s so fun!!
There is no dramatics here or Oscar-worthy performances. But what there is are a lot of smiles, oodles of good fun & laughter, some really great singing and fantastic choreographed dancing. To sum it up there will definitely be a “Tsunami of dollars” made opening weekend from this one!!

Grade: C+
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Screening Monday, June 27th at The Grove/Pacific Theatres courtesy of Warner Bros. Pictures.
Nationwide release – Wednesday, July 1st, 2015

Review: “ENTOURAGE” (2015) Warner Bros.

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“The Boys are back in town” — Spread the word around — The Boys are back– The Boys are back…

From the first opening scenes I’m guessing most will know immediately whether or not they will enjoy this film as before the opening credits even roll out we are caught up in the middle of a huge celebrity filled party scene as “Vincent Chase” (Adrian Grenier) is on a multi-millionaire’s yacht celebrating the end of his 9 day marriage with his friends zooming over on a speedboat to join him with nary a girl who’s not supermodel beautiful in sight. Life’s clearly a bitch for these guys..
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Entourage – based on the very popular HBO series that ran for eight seasons, is a fun, fast-paced, energetic look at both sides of the Hollywood machine. Side 1: The glamorous side of fast cars, nice homes & copious amounts of sex; Side 2: takes a really good peek at what goes on in behind-the-scenes deals that go down just to get films made. At 104 minutes long, there is not a moment wasted in packing in a ton of stuff into this glittering ride of a movie. The party scenes are fun, the dialogue is sharp and biting and the actors inhabit their respective characters well.

So remember ‘Medellin’? The film fiasco that was portrayed on the series that almost put a halt to the career of Vinnie Chase. This film picks up from the that as we once again takes a look at the lives of movie star Vincent Chase, his agent (now studio executive) “Ari Gold” (Jeremy Piven) and his group of cronies “Eric aka ‘E'” (Kevin Connolly), “Johnny Drama” (Kevin Dillon) and “Turtle” (Jerry Ferrera) who surround him. This time, the boys are making Ari’s first blockbuster picture ‘HYDE’ with Vince being not only the lead actor but in the directors chair as well. Everything threatens to go off the rails when the movie goes over budget. To get more money for the production, Ari has to go and deal with difficult Texan financier “Larsen McCredle” (Billy Bob Thornton) and his son “Travis” (Haley Joel Osment). Meanwhile, E is dealing with multiple pregnancies, Turtle is trying to court UFC fighter Ronda Rousey, Vince is dealing with his relationship with Emily Ratajkowski and directing his first major film for Ari, and Drama is coping with his stagnant career and a leaked sex tape. It’s all light fun, accompanied by fast cars, LA icon sightings and an absurd amount of celebrity cameos that if you blink you just might miss one of them.
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With various plotlines moving throughout the film, the party scene that occupies much of the middle section of the film is fantastic and the script really starts to move at a faster, funnier pace. But it’s always Ari who brings the film together. He is by far the most compelling character in the film, always ranting and raving, shouting an incessant amount of profanity at his co-workers while dealing with crazy financiers. Piven is a true scene-stealer, spouting off as much as he can and having a lot of fun with the role. As for the other four principle stars, they’re great together, and while it might take you a moment to recognize child-star Haley Joel Osmont, he does really well in this unexpected character turn with perhaps the meatiest co-star role out of all the actors, getting the chance to portray an immature Texan kid overwhelmed by the celebrity lifestyle.
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While this film is far from a masterpiece by any means, it did keep me smiling throughout with some very funny moments, great dialogue and simply put – it just all works. It’s a good summer diversion that delivers everything you want from a movie like this.. a good time.

B-
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Screening Monday, June 1st, 2015 at Pacific Grove Theatres courtesy of Warner Bros.
Nationwide release: Wednesday, June 3rd, 2015

REVIEW: “SPY” (2015) 20th Century Fox

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With the release of “SPY”, 20th Century Fox is putting out it’s second spy genre film of 2k15 with the first being the hugely entertaining ‘Kingsman:The Secret Service‘. But Melissa McCarthy’s latest jaunt into comedy had me contemplating if it was just going to be another one where she wears out her welcome by playing the same character-type once again. I’m pleased to report this is not the case and you will find yourself laughing your way through this one. Not only because of the fact that McCarthy is more or less doing character assassinations on most of those stereo-typed characters of her past, but it’s with a strong supporting, hugely funny and entertaining cast which really pulls this film all together.
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McCarthy plays “Susan Cooper”, a deskbound CIA analyst acting as the eyes and ears for expertly named-and-trained field agent, “Bradley Fine” charmingly done here by Jude Law, with whom she is clearly head over heels for, this fact being advantageous for him. When Fine goes missing and the agency is compromised, CIA spy-team leader “Elaine Crocker” (Allison Janney) gives the unassuming Susan a shot at her first field mission to infiltrate the world of a deadly arms dealer. Needless to say, things do not go as planned. Not only does she have to deal with exotic uber-vixen “Raina Boyanov” (Rose Byrne) who has a hilariously homicidal lack of tolerance towards her own henchmen, but her own fellow on-the-outs disgruntled agent “Rick Ford” (Jason Statham) who is essentially part Rambo, part bumbling Inspector Clouseau.
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Every scene between McCarthy and Byrne sparkles and both play their roles spot on, particularly when they are both aggressors. Not content to be mere supporting actresses, both Byrne & Janney have some of the funniest lines in the movie. The jokes come so thick and fast that you’re likely to miss some of them simply because they’re drowned out by your own laughter along with the audiences. Statham is hilarious and is one of the reasons I wanted to see this film so much as seeing him skewer his tough-man persona, swearing poetically and prat-falling left and right in the most unpredictable spots is just one of SPY’s fun delights. My only beef with his part is I wanted more.
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Spy would not be funny if it were simply Susan/McCarthy bumbling from one scenario to another. It helps that her characters here have vulnerabilities; it works because McCarthy is adaptable to every situation she finds herself in and is able to hit all her marks without a miss. There’s a sense of witnessing a woman empowered and it’s a hoot to see McCarthy given the space she deserves here. The other is watching Rose Byrne vamping it up as Rayna Boyanov, along with Miranda Hart, who is a constant surprise as Susan’s coworker “Nancy“. And then we have 50 Cent, as himself, having a grand old time being, yes, dare we say it, a tad bit funny..
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Director Paul Feig has gathered a game cast here who are more than committed to the faintly ridiculous material they’ve been given which will make Spy likely to be one of the funnier films of the year. There are films with stronger action sequences, but that won’t be your concern when watching as again, you’ll probably be to busy laughing.

Grade: B-
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Screening at AMC Century City 15, Tuesday, April 21st, 2015 – courtesy of 20th Century Fox & LAFTV
“SPY” – Opening nationwide Friday, June 5th, 2015

RATINGS SCALE: A = OSCAR-WORTHY; B = ABOVE AVERAGE; C = AVERAGE; D = NOT RECOMMENDED; F = SKIP IT ENTIRELY (+ OR – GIVES IT AN EDGE UP OR DOWN)

PITCH PERFECT 2 (2015) Universal

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Yep…the Bella’s are back with new additions and some of the same cliches. The boy’s are there too though not so predominant this time round, even the Green Bay Packers brought a batch of a cappella linebackers to this one, along with a wanna-be group, The Tone Hangers.
But what would the story be if not for new rival a cappellas, German based “Das Sound Machine” featuring the beautiful badass “Kommissar” (Brigitte Hjort Sorensen) & her side-kick “Pieter” (Flula Borg) to duel it out with with an ending that comes as no surprise to anyone. Even so, never underestimate the power of the teen girl viewing audience as the ‘Pitches’ took down ‘Mad Max’ for top grossing film of the weekend box office. pp5

The tone of the film is set in the opening routine, in which Rebel Wilson’s “Fat Amy” has a wardrobe malfunction on stage while dangling upside down at a performance in front of the POTUS & FLOTUS no less. This unlikely set-up forms the premise that takes us through what happens when the group is suspended from competing – unless they can pull off a win the world a capella championships in Copenhagen which no American team has ever done before.
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It’s pretty much all the same crowd – our jaded commentators “John” (John Michael Higgins) & “Gail” (Elizabeth Banks – whom most impressively also directed the film); leader of the pack “Beca” (Anna Kendrick) who also has a side-plot in wanting to become a music producer and keeping her music internship a secret from the rest of the Bellas, a cappella over-achiever “Chloe” (Brittany Snow), butch girl “Cynthia Rose” (Ester Dean), will do anything “Stacie” (Alexis Knapp), the ultra whisperer “Lilly” (Hana Mae Lee), “Flo” (Chrissie Fit) immigration story survivor extraordinaire and yes, of course previously mentioned, “Fat Amy” (Rebel Wilson). Even “Aubrey” (Anna Camp) shows up though is graduated and running a ‘boot camp’ for a cappellas where they get their harmony back with some hi-jinks to give us a laugh or two. The films secondary biggest plot revolves around Hailee Steinfeld as newcomer “Emily”, the group’s latest addition, who writes and sings her own original music which is unheard of in the a cappella world. Steinfeld is pretty terrific and has good screen presence and holds her own as the newbie here.
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There are some solid singing and dancing performances throughout with highlights in scenes in which the rivalry between the Barden Bellas and German reigning champions Das Sound Machine comes to a head; some hilarious confrontations between lead singers Kommissar and Beca follow with a few of the one-off scenes being a bit clumsy, though the sequence at the private party sing-off is a high point as it’s fun and musically clever.
At this point though, the humour factor is getting cheap, the fat jokes are wearing thin and getting on your nerves. Others are falling hard & flat and some are just leaving a bad taste in your mouth they are so crass and offensive.
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I did like the first Pitch Perfect, but in that ‘oh it’s cute way’ that you do like some films as it gave you that ‘Rocky’-underdog feel to it. This one, while it has it’s entertaining moments, lacks that. All the plot points are stepping stones for the climactic finish in Copenhagen, when everything comes together in by far the best part of the whole film, with dynamic harmonies and rhythms, it’s just too bad the film best perks wait until the very end to grab you.

Grade: C+
@pegsatthemovies

Pitch Perfect 2 is in theaters nationwide.

RATINGS SCALE: A = OSCAR-WORTHY; B = ABOVE AVERAGE; C = AVERAGE; D = NOT RECOMMENDED; F = SKIP IT ENTIRELY (+ OR – GIVES IT AN EDGE UP OR DOWN)

“LITTLE BOY” – PREMIERE REVIEW (2015) Open Road Films

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“Little Boy” is one of those ‘feel good’ films in which deals with the story of a 8-year-old boy trying to bring World War II to an end so that he can see his father again.
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It follows the story of “Pepper Flynt Busbee” (Jakob Salvanti) having a crisis of life that children can have, after his father, “James” (Michael Rapaport), is drafted to war after his brother “London” (David Henrie) is deemed unfit for being flat-footed. While his mother “Emma” (Emily Watson) can only stand by as the local priest “Father Oliver” (Tom Wilkinson) gets the unusually small boy, who is given the nickname “Little Boy” by all the townspeople of O’Hare, which is one of those picturesque little towns that you only see in postcards, to think that he can actually ‘will’ his father back home if he follows a list of good deeds to do.

While the film does capture the magic-obsessed boy trying in trying to navigate the fine line between the reality of his life with the delusion of his fantasies because of his love for his father, it’s also very predictable and a bit dangerous in stating that all the boy has to do is wish it, and it will happen. Add in our country’s anti-Japanese resentment during the war, depicted in a bit too cartoonish strokes at times, as once Pepper befriends the only Japanese man in town, “Hashimoto” (Cary-Hiroyuki Tagawa), in part as its one of the things on said list, and of course changing the way he thinks about the prejudices of the times. The little town is full of racists, including his own brother, who so readily buying into the delusion as Little Boy is part of a magic trick that really sends his imagination, and theirs over the top. In one scene, at the precise moment the boy’s attempt to ‘move a mountain’ coincides with an earthquake striking the area with the towns newspaper then reporting the boy has done it.

All in all, I think it might be trying to be a well-meaning film but is quite manipulative on a very misguided scale. In this case, Little Boy is the rare faith-based type film that many viewers may find legitimately offensive because of what it suggests is just too much. By telling kids to just ‘wish’ for something to make it happen by doing a few good deeds, is truly not a good thing. They should’ve stuck to just doing good things for all the right reasons, not the one depicted here.
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David Henrie
David Henrie

On a side note, I did enjoy meeting the cast and director of the film. All very nice people and of all the oddities of this premiere I sat next to Tara Reid and the Jedward Twins, whom I had no idea who they were until I got home and researched Irish twins. ha! They were sweet and nice as anything, told me I would cry during the film, I didn’t. And Tara for all her bad press, was so nice and fun. Kind of went in tone for the film for me, Don’t always believe everything you see or read.

Premiere: Tuesday, April 14th, 2015 at Regal Cinemas DTLA – Film is now playing nationwide
Grade: ‘D’
@peggyatthemovies

(See ratings scale)