Category Archives: Drama

REVIEW: “FLORENCE FOSTER JENKINS” (2016) Paramount Pictures

Set up beautifully in 1940’s New York and based on a true story, Florence Foster Jenkins tells the story of a truly awful singer (Meryl Streep), completely enveloped in her oddly closed world of a 1944 New York hotel. Pampered by her unsuccessful actor/husband St Clair Mayfield (Hugh Grant), a term we find out to use loosely as he is otherwise occupied in a completely different residence with his long-time girlfriend Kathleen (Rebecca Ferguson).
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Together with ex-actor Mayfield, the wealthy Florence is the co-star of the show at her self-owned “Verdi Club” where she has a non-speaking role enacting various ‘tableau’ scenes. But in the interests of following her dreams, she recruits the help of famous singing instructor Carlo Edwards (David Haig) and an enthusiastic, personable young pianist Cosme McMoon (Simon Helberg). Carlo becomes aware of what he is in for once she actually starts to “sing”, which is more like a cackling hen than an actual singing voice and starts to see how she has been deceived her entire life by the people who surround her, into thinking she is something she is not.

This film got on my nerves fairly early in the game and gradually got worse as it went along. Meryl Streep seems to just be coasting and going through the motions in her career right now, this being no exception to the rule. And while Hugh Grant is often quite unfairly criticized for playing Hugh Grant in every movie, here he actually turns a somewhat decent performance as once again though, a cad. Simon Helberg’s character is the most funny, for a bit, and gradually the quirkyness you thought funny for the first 20 minutes, grinds on you.
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While the film is not without it’s charm at points, it fell a little short for me on storyline. The acting was adequate, but I felt like we never really got to know or understand why it had gotten to the point it did on her life. I wanted just a touch more backstory. All in all, I can only recommend it to a certain niche of viewers as I’m sure some will find this a somewhat likable film.

Grade: C-
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Media Review Screening ~ Wednesday, August 10, 2016 ~ Courtesy of Paramount Pictures
In Nationwide Release as of Friday, August 12, 2016

Movie Review: “DEMOLITION” (2016) Fox Searchlight

With Jake Gyllenhaal as our lead Davis Mitchell, a WASP-ish investment banker with a very large and cold glass house (foreshadowing much?!! *eyeroll) whose life turns into complete disorder when his wife dies tragically in a car crash. He seemingly feels nothing until he discovers a possible grieving outlet, making him deliberately avoid dealing with his grief from a big ol’ vat of emptiness and renouncing this lack of feeling any emotions by demolishing buildings, furniture and household appliances.
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We watch as Davis finds himself writing a highly articulated complaint to a vending machine company for not ejecting his favorite candy bar. When it’s not answered, he then writes another with more detail and another with even more detail until lone customer service rep Karen (Naomi Watts), answers his cry for help which is in and of itself so completely unbelievable. So but of course, they strike up a type of relationship. She’s a pothead and single mom with an angsty teenager named Chris (Judah Lewis). But even weirder than this..he then goes on some weird roaming rampage with the kid that really goes no where and makes absolutely zero in the sense department. Watts’ and Lewis’ characters seem secondary not only to the entire cast but also to the overall morale as Gyllenhaal’s Davis bulldozes through the film, robbing the wrong people of the right moments. If this film was trying to be an America Beauty successor, it’s a long way off off ground, but was passable until the final act’s three incredulous twists send it way off the beaten path.

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Maybe this was meant as a comedy of sorts, or a drama..who knows for sure, but what I do know for sure is the film is totally ridiculous, not entertaining and almost insulting to the intelligence. The absurdity of the Gyllenhaal character and his love interest doesn’t match the universe of the other characters in the movie which results in a total disconnect for the us, the viewers. The performances could have been done by anyone, including my neighbor as that is how dull and lacking they all are, except maybe for a completely under-used Chris Cooper here as Phil, the father-in-law who is trying to figure out the same thing we are..what in the fricky-frack is going on.
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The script is weak and the contrived situations simply not funny. An attempt is made at infusing some symbolism of grief, but it’s neither here nor there nor anywhere for that matter.

Grade: D
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Review Screening: Wednesday, March 30, 2016 ~ Courtesy of Fox Searchlight
Now playing nationwide as of Friday, April 8, 2016

“MILES AHEAD” PREMIERE & Q & A ~ DON CHEADLE, EWAN MCGREGOR

It’s made clear to us right off that this film is not factual. There are some factual elements in the film – Miles Davis (Don Cheadle) did stop making music for 5 years, became a reclusive person and something made him start making music again.
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The film starts us in the later years of Miles’ life. He has already reached fame and fortune. But his drug addiction has turned him into a Howard Hughes recluse. And he has temporarily turned his back on music. The story opens with Miles alone in his home when he is aggressively approached by Rolling Stone magazine writer Dave Brill (Ewan McGregor) who is interested in writing about Miles’ new project. The opportunistic Brill gets swept into a fantastical series of events that include following Miles as he confronts his record label, procures cocaine and is chased through the streets in a hail of gunfire by unscrupulous folk looking to advance their worldly standing through the theft of Miles’ still-in-progress demo tape.

By way of flashbacks, we get a glimpse into the more serene life of Miles Davis before drugs off-tracked his career. A clean cut Davis is seen rising in ranks through the Jazz clubs of America and eventually falling for Frances Taylor (Emayatzy Corinealdi) who would eventually become his wife of 10 years.
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The film doesn’t dive too deeply into the domestic violence between the two lovers that became headlines back in the early 60’s nor does it touch too intensively the racial tensions in America at the time. There is a scene where Davis is unprovokingly harassed by police officers and taken to jail for simply showing kindness to a woman of white skin, but the film has no message to present in terms of Miles’ involvement with racial divides at the time. Instead, Cheadle keeps the camera focused on a single day in the broken down icon’s history. This works largely to the films advantage but sacrifices giving us a glimpse into the life of the historic character.

Don Cheadle is a revelation as Miles. The raspy voice, the trumpet playing, the belligerence. All are played exactly on key. The supporting cast does amply in tow but there is little to look at outside of Cheadle’s performance. Still, it’s ironic that while Cheadle seems to get not only jazz, but the concept of creativity – starting off the movie with the Miles Davis quote “When you’re creating your own shit, man, even the sky ain’t the limit”
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But a jittery hand held camera may throw some viewers off in spots and the film can be dark and discombobulated at times. Trying to follow the story between modern day and the flashbacks was confusing. Not knowing where the time line was going will leave some confused. Did all the craziness in Davis’ life really happen? or was it Hollywood license

We end up with Cheadle/Davis back on stage blowing his axe in patented ‘Miles style’. **Miles Davis died in 1991 at age 65 universally recognized as one of the most influential and innovative American musicians of the century, jazz or-no jazz.

Grade: C

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POST Q & A WITH DON CHEADLE, EWAN MCGREGOR, EMAYATZY CORINEALDI
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Per Don Cheadle on the basics of the films: It took him ten years to write the script for the movie and shot it all on a budget of 8.5 million dollars. The movie was shot in 6 weeks with 30 shooting days, pre production took 6 weeks and it was all shot in Cincinnati where afterwards they had to go in and cut out certain things like hills and change all the license plates to reflect it being in NYC.

He also wanted to make it perfectly clear that “It’s not a biopic” and he notes “I wanted to do Miles Davis. I wanted to do something crazy and make it like a composition of Miles’ life”. Cheadle chose to pick the time in Miles’ life when he had stepped out of writing and music. “You get to 1975 and he just shut it down” on Miles Davis’s music and impact.

Everything inspires Don Cheadle when it comes to his music, acting, and writing. “The most I could, I would stay in that character” Don Cheadle on being Miles. “The hardest part is staying healthy and getting through it” Don Cheadle on wearing so many hats while acting and directing the Miles Ahead movie.
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For Ewan – him and Don met while in Rwanda back when Cheadle was shooting the heart-wrentching, but so well done film, ‘Hotel Rwanda’. They had arranged to meet at Ewan’s house to talk about this film and Ewan, being the motorbike guy he is, went for a ride, lost himself in it as you do, and was 1/2 way to Malibu when he suddenly remembered he had the meeting with Don..felt so bad and rode furiously fast to get back home to find Don just hanging out reading a magazine.
Had fun with it all, and noted that at times how odd it was as Don would be in character as Miles, directing Ewan as Miles, so really he had 2 directors on the project.

Don Cheadle counted on his entire crew to make sure the movie was being done right! There were no deleted scenes and there was one shot that was not in the movie Don Cheadle wanted to empower everyone on his crew.
Cheadle still continues to play the trumpet used in #MilesAhead, playing with the Roots recently. “I played this morning.” he noted.

And with that, the post-premiere party was one of the more fun ones I’ve attended. Had a great time meeting so many people and was lucky enough to meet, chat and have a fun time with someone I truly admire and adore – Mr. Michael Ealy. #bucketlistmeeting

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REVIEW PREMIERE OF: “I SAW THE LIGHT” (2016) Sony Pictures Classics

I was happy with the choice of Tom Hiddleston as Hank Williams. He had the physical look to carry it off and I knew he had the talent. I just wish I could say the same with the script. From the shaking camera to the direction & edit of this film, it is literally all over the place. Cutting from one scene to another without really understanding where it is we are going.

This story seems to focus heavily on his first marriage to Audrey Williams (Elizabeth Olsen) and that relationship. But while his band produced hit after hit, there is more time given here to the conflict between Audrey and his controlling mother, Lillie Williams (Cherry Jones) who managed the early part of his music career, than Hank himself. Also Hank’s band has trouble with Audrey, who has musical ambitions and is criticized as a no-talent back-up singer. i saw the 2 It provides Hank with a dilemma of choosing – his wife or his band? It’s frustrating that out of everything Hank Williams did, this is what they focus on. Other than the music, they barely touched on anything that made him such a colorful character and a country music icon. It doesn’t help that there is little chemistry between two lead characters.

Tom Hiddleston did a nice job with his singing here, which are definitely the highlights of the film, but at one point he gets asked how old he is to which he replies ’23’ and sorry..as much as I adore Hiddleston there is just no way he is passing for 23. Even the 29 years of age that William’s is when he dies is a stretch.
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I can’t say I know a lot about Hank Williams besides the fact he came from less fortunate part of Monroe, Alabama and fought his way out with his music and was hoping to learn more. Sadly the only thing I came out knowing more about was his alcohol and marital problems than on his impact on the Country – & – Western scene, of which he was a huge part of.

Towards the end we see Wiliams getting interviewed by reporter James Dolan, (David Krumholaz) to find out what makes him tick…sadly the film leaves us never really knowing what did.

Grade: D+
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Review Premiere Screening: Tuesday, March 22, 2016 ~ Courtesy of Film Independent
Nationwide release: Friday, March 25, 2016

Some photos of Tom Hiddleston at the premiere ~

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REVIEW: “10 CLOVERFIELD LANE” (2016) Paramount Pictures

Not a big surprise that a sequel seemed like a logical choice to 2008’s “Cloverfield” by JJ Abrams as it was a big hit comparatively with a 25 million budget, while grossing right around 170 million. The ‘found footage’ film about a group of young people surviving a monster attack in Manhattan was driven by a highly sophisticated and fun marketing campaign. Mysterious trailers of the film ‘Untitled’ left you guessing as to what was the content, was also really well received by critics & film-goers alike.
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While not quite the exact same thing here, JJ Abrams sees ’10 Cloverfield Lane’ as a kinsman of “Cloverfield.” And that’s a good description because although there could be a comparison of a few elements, 10 Cloverfield Lane is a very different kind of film and can stand on it’s own. Do not expect found footage film or a direct sequel or prequel. ’10 Cloverfield Lane’ is a pure psychological thriller, with a little taste of Sci-Fi thrown in for good measure.

It’s mainly undertaken all in one place, the bunker of the mysterious Howard (John Goodman). The bunker is a typical doomsday place: an underground space filled with food, drinks and all the comforts of home, including a cozy living room and fully functional kitchen, ya know, for those underground bunker dinner parties. Michelle (Mary Elizabeth Winstead) is excellent as the frightened but brave one, who basically MacGyver’s her way through this film. Even John Gallagher Jr. as the simple Emmett is well cast. The biggest surprise is John Goodman as Howard, a role that is seemly tailor-made for him, as he turns the effortlessly friendly man into a creepy psycho without ever giving away which of the two he is and in turn, giving us a whole other level of fear. cloverfield 2

’10 Cloverfield Lane’ will truly have the most impact if you have minimal knowledge of it before hand because it’s nail biting exciting. And any reviewer that gives away the spoilers or the full story of this one, I wish them years of paper cuts because this is one to be experienced, not told about. The only minus is the last act of the film, here and there, it flies off the rails, But you forgive debut director Dan Trachtenberg for this little whim, as I loved the fact that just when you think it won’t go there.. it does! It’s very clever and with fresh inspiration, gives just the right subtle nod to its successful predecessor. For those who love psychological mind-bending films like this, you won’t be disappointed.

Grade: B
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Review Screening: Wednesday, March 9, 2016 ~ Courtesy of Paramount Pictures
Nationwide Release: Friday, March 11, 2016

REVIEW: “EDDIE THE EAGLE” (2016) ~ Post Q & A: Taron Egerton & Dir: Dexter Fletcher

“Eddie the Eagle” is a story about an underdog in every sense of the word.
The story follows Eddie Edwards (Taron Egerton) from the time he’s a little kid with dreams of going to the Olympics, through his many assorted set-backs, and all the people around him who saw only failure in his future. It also shows the moments when he got helping hands when he most needed it. This movie is about his struggle and for all his sometimes annoying flaws, Eddie is a character that you just cannot dislike.

Edwards, while maybe a somewhat good downhill skier, narrowly missed the Great Britain team for that event for the 1984 Games. To improve his chances to qualify for Calgary in 1988, he moves to Lake Placid, NY to train and enter bigger races, but he quickly finds himself short on funds. To realize his Olympic dream, he decided to switch to ski jumping for reasons of cost and easier qualification as there were no other British ski jumpers with whom to compete for a place.
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He was handicapped by his weight—at about 82 kg (181 lbs), more than 9 kg (20 lbs) heavier than the next heaviest competitor — and by his lack of financial support for training as he was totally self-funded. Another problem was that he was very longsighted, requiring him to wear thick eyeglasses at all times, which sometimes fogged to such an extent that he could not see. Maybe due to all this, Eddie seems a bit dim though his spirit of wanting to be in the Olympics never dies, even as his father tells him his only choice in life is to become a plasterer such as himself.
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Taron Egerton does an excellent job here and really assumes the part of Eddie. Hugh Jackman as ex-downhill skier-turned-coach Bronson Peary puts in a good performance, and manages not to overpower Eddie’s character. Eddie’s parents are also well played, his mother Janette Edwards played by Jo Hartley, gives a particularly poignant portrayal of the never-ending support of a mother. Eddie’s father, played by Keith Allen, is a bit of a caricature, but well acted. Actually, a lot of the supporting cast of characters are caricatures, especially the other ski-jumpers/coaches and the British Olympians/Olympic Committee. But to an extent that serves to emphasize the struggle for Eddie. Also, for those intent on seeing this film for Christopher Walken as Warren Sharp, he has wonderful, albeit, very small role that has impact.

While the struggle of Eddie is emphasized throughout the film, there is also a good dose of comedy thrown into the mix as well. The tone is upbeat throughout, even when Eddie has setbacks. While some of the failures are played for laughs, it’s mostly Eddie’s perseverance that makes this film endearing. It also feels like we’re laughing with Eddie rather than at him, since it seems Eddie’s in on the joke.
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There’s not much to dislike about the film. I absolutely loved the music choices including the score and some timely 80’s song choices. Sure, I think the stakes could have been raised a bit here or there to give an even bigger emotional moment, but I can’t say the film didn’t already bring me to teary eyes at some points. And that to me, is an experience at the movies.

Random tidbit that Taron told us all: Stay tuned for the song at the end credits as the overlying song playing is actually Taron Egerton & Hugh Jackman singing together..yep..you read that right.. Taron & Hugh are singing the closing credits song. I wouldn’t have known it had he not said so.

Grade: B

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POST Q & A WITH TARON EGERTON & DIR: DEXTER FLETCHER
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Hugh Jackman was also supposed to be in attendance, but didn’t make it. Taron more than made up for it as he was nice, fun & entertaining as was Dexter Fletcher. This guy..being my breakout star of 2015.. is just as personable as I thought he would be when I first saw him in the fantastic “Kingsman:The Secret Service”.

Started off with the basics noting that since the project was greenlit till it’s release, it’s been a short 18mos. All a very fast shoot of 8 weeks in Germany at Garmisch-Partenkirchen – the same place where the real Eddie Edwards trained – also with some being done at Pinewood Studios.
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Taron had a chance to meet with the real Eddie before & during filming and when he went to the very first screening of the finished film, he sat next to Eddie, which made him very nervous as it’s harder to portray someone who is still alive. At the end of the screening, Eddie was so moved by Taron’s performance and the film, he was actually crying. Taron noted what a fantastic feeling that was.

Dexter Fletcher is quite the character and entertained us thoroughly before & after the film with his banter with Taron. Both noting, as I did, that Hugh Jackman is really good in this role and a very big man! ha! Also, one-week into production they were told no actors could ski at all ~ so they got a bunch of crazy stunt guys – noting that downhill skiers really have to be a bit crazy to do this sport – who more than willing to do it. Except for Hugh, where at the end of his run, he is actually skiing. As Taron puts it “It’s sickening how good Hugh is at EVERYTHING!”

Fun note from Dexter – in real life, the Finnish skier, Matti Nykänen, actually became a male stripper, then a singer and sadly, turned to alcohol and is now known for some, shall we say, ‘colourful antics’.

Christopher Walken was cast because they had to get someone who coud make Hugh Jackman weak in the knees.. and clearly they did.

One theme that is repeated throughout the movie, is the quote from Pierre de Coubertin (father of the modern Olympics), “The important thing in the Olympic Games is not to win, but to take part; the important thing in Life is not triumph, but the struggle; the essential thing is not to have conquered but to have fought well.” It’s just a little something we all could use as a reminder at times and maybe apply to our own everyday lives.
Cheers..

Review Screening: Thursday, January 28, 2016 ~ Courtesy of 20th Century Fox                                       Nationwide release: Friday, February 26, 2016                 

REVIEW: “HAIL, CAESAR!” (2016) – Universal Pictures

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All Hail Caesar!!!
This Coen Brothers satire of old school Hollywood is a perfectly done mix of what our imagination might conjure up of what the Aqua-musicals or dance sequence films from the ‘Golden Age of Hollywood’ could be if they were done today.
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The film centers around physical production/studio head Eddie Mannix, played by Josh Brolin. Mannix is a fixer at the fictitious Capital Pictures in the 1950’s. This involves him dealing with numerous egos, including their box-office superstar Baird Whitlock (George Clooney) and Aqua~movie starlet, DeeAnna Moran (Scarlett Johannson). Not long after the film begins, Whitlock is kidnapped and Mannix begins his quest to get him back with some surprising help along the way from young western actor, Hobie Doyle (Alden Ehrenreich).  
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With a top notch billed cast, you do tend to notice that some of the names receiving top billing, are only in it for short pieces of time or literally there for only a ‘blink-and you missed it’ moment – as such is the case with Jonah Hill’s character Joseph Silverman. Besides that odd glitching, all the supporting cast as a whole are just plain good and you don’t get a bad performance from anyone as even the normally so wooden Scarlett Johannson plays her small part well and unannoying.   Aside from the names mentioned, you’ll also see Ralph Fiennes being spot on as director Laurence Laurentz, Tilda Swinton doing hysterical double time as bickering twin gossip columnist sisters, Thora & Thessaly Thacker. Channing Tatum for whom I must say,  I love where he is taking his career with roles like this, truly dazzles with his singing and dancing number that is so beautifully done it makes you not only yearn for those times of past, but want them back if he keeps doing this.
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Brolin is fantastic in the lead role and turns what could be a very unlikable character into a very endearing and sympathetic one. The real find among the cast is Ehrenreich. The character of Hobie Doyle is simple enough but Ehrenreich manages to turn him into one of the more amusing and interesting characters you’ll find in this film.
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All in all I truly enjoyed the film as a whole and I’m guessing all Coen Bros. fans will thoroughly enjoy it.  However as a second note, my guest didn’t like it as much and he made a good point.  That he didn’t ‘get’ all the innuendos of some of it and said the general public as a whole might not either as it might have that ‘going over their heads’ problem.
For me, I highly recommend this Golden-Age romp through the glory days of Hollywood..
Grade: B-
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Review Screening: Tuesday, February 2, 2016 ~ Courtesy of Universal Pictures 
Nationwide release: Friday, February 5, 2016

REVIEW: “JOY” (2015) 20th Century Fox

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With narration told by her grandmother Mimi (Diane Ladd), the only person who believes in and encourages young Joy’s as her story begins at Rudy’s Bus and Truck metal shop, where being an imaginative creative girl, she entertains herself through paper models of forests and castles.

Based on a true story, the film depicts the rise of female inventor and entrepreneur Joy (Jennifer Lawrence), who rises to fame by hawking her Miracle Mop on QVC. The story is much more than about business success, for Joy is a 1970’s housewife who supports four generations in her house, including her ex-husband, Tony (Edgar Ramirez) and father Rudy (Robert De Niro).
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Director David O. Russell struggles here, a bit unsuccessfully I might add, to portray a harrowing the path to the mop. Joy deals with a houseful of kids, only a few of them children by actual age. The motley crew she calls family all crammed in her small house are not on Joy’s side. She is the breadwinner, the adult, the rock whose imagination is a liability to those overly dependent on her. Her mother Terry (Virginia Madsen) a soap-opera viewing addict, who watches made-for-this-film, unfunny soap opera segments that seem unmotivated with there being no implication as to why we are pointing to the off-TV characters. It’s goes on to become a paint-by-numbers affair from there – familial jealousy from sister Peggy (Elisabeth Rohm), dirty financial dealings, the nightmare of the age-old saying, “Do not do business with your family.”
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After all, Joy manages to build a mop prototype. She brings it to QVC where the initial sale segment bombs. With Neil Walker (Bradley Cooper), the slick head honcho of newly formed shopping network QVC behind her, he takes a chance and allows Joy to showcase the mop herself. Bingo! The mop sells out. Success? Nope. The parts supplier is screwing Joy, every sale of the mop loses money, and the family wants their money back. Financial ruin follows. Then Grandma passes. But Joy decides she’s been walked all over enough and ‘womans up’ to settle all scores financial and emotional. You would think Hooray! right? If only the story wasn’t so average and been done so many times before would it be all that and more.

The acting is nothing notable as De Niro is no stranger to playing a conflicted father with a big heart, though there is something a bit off-kilter here even for him on this. We all know Lawrence & Cooper play well off each other and they do that again here. It’s Edgar Ramirez, who after falling so flat in Point Break, really stands up and dazzles amongst this all-star cast.
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So let me just do a quick sum up for you in one sentence. ‘Down and out mother thinks up an invention, brings it to market, and becomes rich after some pitfalls that, in reality, is all fought and done with lawyers in the end’. In lieu of dramatizing a woman overcoming, Russell instead created a often unfunny comedy.

While the real life, inventive Joy deserves kudos, the bottom line is this is a feature film about the creator of a better mop and offers little on the path to an unsatisfying end where Joy makes it big and helps others succeed.
With all the heavy-hitters in film coming out these last 2 weeks of the year, it’s doubtful JOY will stand out amongst them.

Grade: C
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Review Screening: Monday, December 21, 2015 ~ Courtesy of 20th Century Fox Studios
Nationwide release: Friday, December 25, 2015

REVIEW: “THE BIG SHORT” (2015) Paramount Pictures

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When Ryan Gosling’s character Jared Vennett asks the question to a room full of brokers.. “What’s that smell?” and answers it with “Opportunity” you know then and there to prepare yourself for a very different type of ride.

The film’s narrative is driven by four cynical, fringe Wall Streeter’s disgusted with the large banking institutions’ overriding greed for profits. Separately, but yet oddly together, they make the decision to capitalize on the ensuing housing market catastrophe and the financial meltdown of 2008 upon discovering the market frenzy is being driven by worthless collateral debt obligations.
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While I might never figure out how Director Adam McKay made deplorable humans, blinding fear, gut-wrentching outrage and delightful shaming so much fun to watch ~ He most definitely brought along his dark bag of laughs here, but planted them in such a way as to where we actually understood what was happening thanks to fun cameo explanations from the likes of Margot Robbie in a bubble bath, Anthony Bourdain cooking it right up, and even Selena Gomez gambling though her little monologue.

After a rather lengthy dizzying, yet delightful, character introduction, the film picks up pace as the drama begins to unfold. Dr. Michael Burry (Christian Bale), an eccentric financial analyst, with complete autonomy of an investment fund, uncovers variables in his economic forecast indicating a massive housing market collapse. He informs his higher up, Lawrence Fields (Tracy Letts), of his discovery and creates a financial prospectus. In essence, he creates a commodity of selling short on bundled mortgages.
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The bankers laugh themselves silly as they willingly sell Burry all the “insurance” he wants. Word quickly spreads of Burry’s perceived madness in a after-work cocktail scene. With interest piqued upon overhearing the Wall Street gossip of the day, Jared Vennett (Ryan Gosling), scoops up the aspects of Burry’s move. Soon, he sells it to a group led by Steve Carell’s real-life character, Mark Baum and convinces them to buy in.

As the debacle is in full free-fall, Baum struggles with disbelief as he and his group have bet against their own umbrella entity, Morgan Stanley. The final team that has uncovered the impending financial crisis, made up of two Wall Street rookie wanna-be’s, Jamie Shipley (Finn Wittrock) and Charlie Geller (John Magaro) who along with veteran trader turned-conspiracist Ben Rickert (Brad Pitt), also struggle with the imploding financial system caused by corporate greed and indifference
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With a mammoth cast, the acting in this movie is pristine with the whole ensemble cast being in top form. With that said however there were three stand out performances that somewhat break this mold.
Ryan Gosling might be the funniest as he narrates and embodies the fact that he’s a scum bag and just rolls with it, offering an entertainingly slick performance. Christian Bale let us feel his pain and lonely genius, stole the show in every scene he was in. The only genuinely relate able character in the lot, Bale conveys a great deal of sensitivity, making it one of his best performances to date. Steve Carell dug deep and came up with a persona that brings Baum to life, even if he does over act at times which I guess is how he really is in true-life form.
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It was also nice to see Marisa Tomei, Hamish Linklater, Billy Magnussen, Rafe Spall, Max Greenfield and talented others working at a solid supporting level.

With all the ‘truth’ films out there this year, “The Big Short” is one of the more important ones of this group and also one of the best. I wanted to laugh and cry at the same time as the film warns us in a way, who knows what will be the next basic human necessity to be denied by those few who hold power.

Grade: B+
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Review Screening: Arclight Hollywood ~ Tuesday, December 8, 2015 ~ Courtesy of Paramount Pictures
In Select Theaters: Friday, December 11, 2015
NATIONWIDE RELEASE: Wednesday, December 23, 2015

REVIEW: “IN THE HEART OF THE SEA” (2015) Warner Bros.

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“In the Heart of the Sea” is an Action/Adventure/Biopic based on the real disaster that inspired Herman Melville’s ‘Moby-Dick’. The film follows the voyage of the ‘Essex’, a whaling ship that was bought down in 1820 by a Sperm Whale in the South Pacific, and is a true tale of adventure, drama, and survival.

Obviously the main reason to go and see this movie was to see this massive whale go toe to toe with the ‘Essex’ and its crew although actual confrontations with the whale in this film were few and far between, but when they happen, do they make an impact. This whale is inexplicably huge, and yes, he was grand as the story tells. in the heart 2It truly was such a spectacle seeing this huge beautiful whale on screen. The way they emphasize his size through setting him side by side with the boats gives his presence much more weight. Confrontations with the whale were intense and pretty good edge-of-seat stuff. Yes it’s CGI effects, but the whale was done beautifully and it’s incredibly detailed, making this whale look quite realistic and believable.
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The film’s biggest problem was the pacing. Throughout the film there are quite a few uninteresting moments that fail to hold your interest. There are some especially slow moments at the beginning where they are introducing some of the main characters to us including our lead, Owen Chase (Chris Hemsworth) & his wife Peggy Chase (Charlotte Riley). As the introductions continue, we meet Mrs. Nickerson (Michelle Fairley) wife to Tom Nickerson (Brendan Gleeson), who will be the one recounting the events of the film to Herman Melville (Ben Whishaw) as he lived through and endured them as his younger self played very well by Tom Holland. Scenes like this are nothing new and have been done in countless films before this, but here they are a big part of the actual story of the film.
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Acting wise, the film was pretty good. I had heard some possible Oscar buzz about Hemsworth as he was the obvious standout, and he was able to show off a different side of his acting talents here, but still even with his dramatic transformation, it isn’t going to garner any type of Best Actor nom. The supporting cast was mostly pretty strong, Benjamin Walker as George Pollard and Cillian Murphy as Matthew Joy really stand out, again with Tom Holland as the Younger Thomas Nickerson. The crew of the Essex made up of Henry Coffin (Frank Dillane), Caleb Chappel (Paul Anderson), Benjamin Lawrence (Joseph Mawle), William Bond (Gary Beadle), Ramsdell (Sam Keeley) to name a few, were all good strong performances.
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Ron Howard does a pretty good job directing the film and most of the time he nails the tone of the film. The dramatic action scenes were filmed and directed in a very frantic and chaotic manner that upped the stakes during those intense moments. Especially in the latter portions of the film he does represent the sad tones and emotion pretty well and handles some very confronting scenes in a way that isn’t too disturbing but also isn’t sugar-coated.

The latter half of the film, although not free of some slower moments, does pick up significantly from the first half when it introduces some survival elements. As the film doesn’t end on a high note as it could have been a short and sweet ending but it is dragged out a little longer but with that, it makes a strong point.

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In the end, this is an action/adventure that has its intense, dramatic moments, but is not without some slower moments that if excluded could have kept the film to a shorter run time and maybe would have made it more impactful. If you are fascinated of the story of Moby-Dick as I was as a child, then you will definitely get more enjoyment out of the film.

Grade: C
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Review Screening: Monday, December 7, 2015 ~ Courtesy of Warner Bros. Pictures
Nationwide release: Friday, December 11, 2015